Raga Asavari is an ancient form of Indian Classical music widely prominent in North India and the Hindustani style. It shares commonalities with Raga Ahir Bhairava such as similar notes, however, its ancestry can be traced back to Todi ragas from Carnatic music. The scale for this raga usually consists of Shuddha Madhyam (M), Kanara Gandhar (KG) or Komal Gandhar(ke), Pa Sharabar (P、), Saompura Ma Nishad (N2 ), Panchama ,and Adhvitali Shudhhd Nishad (N3).
This mixture creates a feeling that starts out captivatingly energetic yet gradually winds down into somber reminiscence. Furthermore intricate aspects regarding Gamakkans aka vocal ornamentations really bring alive Raga Asavari’s beauty, often serving up warm tail-end vibrations if appropriately executed. In regards tempo selection it suits moderate & slow paced tempos but best shines within medium range when allowed ample unfolding due to reciting Yaman scaled based compositions which ideally works at professional levels in longer format improvisational performances.
Raga Asavari is a raga found in Hindustani classical music. It has been documented since the fifteenth century and is considered one of the more popular ragas of Northern India. The sound it produces creates a soothing, melancholic atmosphere with no definite tempo structures. This makes it suitable for relaxed listening as well as providing accompaniment to performing musicians.
Its melodic nature means that its key characteristics include airy Ascending/ Descending Glides from note-to-note along with special attention being given to certain notes when played or sung in different octaves resulting in an overall profound effect on audiences and performers alike. Raga Asavari can be used to great effect during various times throughout the day including dawn into morning (Bhogaye) but also at dusk just before night transitions into darkness. Its emotive beauty gives singers scope for improvisation through alaps and bolbanims which depending on individual exploration could provide hours of mesmerising Ragistic expression!

See more:
